MISS CUMBER - PROFESSIONAL PHOTOGRAPHER
Miss Cumber's father, Henry became a druggist and moved to Guernsey where, in 1817 he married a local girl, Mary Gallienne. Her parents were Thomas and Mary.
The first recorded residence in Guernsey for Henry and Mary is Fountain Street in Saint Peter Port which is probably where Sarah Louisa was born. Sarah was one of seven children having three sisters and three brothers. Her elder sister, Mary, and younger brother, Henry, both remained in Guernsey.
Mary married William Sharshaw, from a family of butchers based in Guernsey, and they had one daughter Mary. Mary married James Gardner and they ran The Royal Hotel in Saint Peter Port.
Henry followed into his father’s profession and trained to be a Druggist alongside his father in Fountain Street Saint Peter Port. By 1851 Henry senior had died and his wife Mary and Henry junior continued the business, but now based at Number 3 Pollet Street. Sarah was still living with her mother and brother, her profession was listed as school teacher.
By 1861 the family is still living at 3 Pollet Street but their mother had died.
Henry continued as a Chemist and Druggist and had married Julia Davis. Mary Sharshaw had been widowed and had also become a Chemist and Druggist practicing with her brother. Please see The Priaulx library article for more information on Mary Sharshaw CLICK HERE...
In the 1861 census Sarah had changed her earlier profession as that of a teacher to a Photographic Artist. At this time photography was a burgeoning profession and was usually linked to Chemists and Druggists.
Sarah became well respected in the world of photography for about thirty years specialising in portraiture for the well to do members of the Guernsey society. The fashion of the 1860’s was for people to have a carte de visite, similar to a visiting card with the bearer’s portrait on it which was left when calling on friends or business associates.
Miss Cumber was taught photography by Thomas Frederick Hardwich who was the first Professor of Photography at King's College, London and offered Ladies only classes as an option, to encourage women's participation.
It is looking likely that Sarah may have attended those classes. In an advertisement in the local paper 'The Star' in 1860, Sarah highlights her tuition by Hardwich. Many thanks to Rose Teanby for this information. Please see the following for an article by Rose Teanby on Thomas Frederick Hardwich.CLICK HERE...
Sarah Louisa worked as a photographer at 3 Le Pollet address, but information has been given by a descendant that at the end of her life she later moved opposite the road to 2 Le Pollet, but no cdv's with that address are known and this information has to be verified.
Some of the carte de visites shown here show Sarah Cumber's relations and one of Victor Hugo and one of Madame Hugo. The Hugo ones appear to copies of known images from other photographers and not taken by herself - As the cdv collecting craze gathered pace this was a normal occurrence by some establishments to sell images of famous people of the day. It is possible that she was she was asked to market them.
The album where these originated from was put together by Fanny Cumber who was married to Sarah's brother, William. Permission to show these images on this website has been kindly given by a descendant - None should be reproduced without permission. Unfortunately no image of Sarah herself has been found.
To date the author has found eight style variations of cdv backs; there maybe more - All that are known are shown in the guessed order sequence. They have been designated as Style 1. Style 2. Style 3. Style 4. Style 5. Style 6. Style 6a. and Style 6b. There is a Miss Cumber cdv with a Style 3. back in 'The Royal Society Collection' at the V&A, contemporarily dated to 1868.
Also shown here are other images which are owned by the author and third parties.
The earliest carte de visite's from Miss Cumber do not have her name on the front, only on the back logo. It is worth mentioning that as with other photographers of the period, very early portraits normally showed the full figure only - it was only later did the fashion of a head or head and upper body pose become popular.